exist†trace Album Review: TRUE

If you thought this band was good before then you haven't seen anything yet. Now that they've made the move to a major record label the girls of exist†trace seem determined to surpass everyone's expectations and prove that they should have been here a long, long time ago.

These metal maidens are back and stronger then ever before.

Opening the album with the title track TRUE was a wise decision and immediately shows you what this band is all about. Everyone is in top form and Omi's guitar riff paired with Jyou's opening vocals certainly surpassed my expectations and that's hardly the best part of the song. Familiar to any exist†trace fan is the sound of Naoto's bass at the midpoint of the song combined with Mally's drumming helps build the song to a climax just before a surprising but blistering double-guitar solo courtesy of Omi and Miko sends the song even higher on the scale.

Every part of this song is on fire as Jyou sings passionately about moving past betrayal and fear. Certainly a well taught lesson in being TRUE to yourself.

Only Miko and Omi can offer up a double-guitar solo of such epic proportions!



Next up is HONNOU (which translates to "instinct") and this song follows the blistering pace that TRUE began. Jyou's playful invitation of "shall we dance?" sets up Omi's raging lead guitar. The furious solo following Jyou's eerie laughter would rightly scare any man who dared to think of these women as pushovers. Instantly catchy and with a sound that will have you dancing and headbanging all day long, its a surprise when the song starts to fade out instead of just ending at a climax or a final note the way the other four songs do. Any fan in their right mind will be wishing this song could go on longer.

Mally's drums and Naoto's bass make one killer combination!

While TRUE and HONNOU were written by Miko who does most of exist†trace's songs, the next song on the album Tokoyami No Yoake belongs solely to the lead guitarist Omi. The melody is an obvious shift from the past two songs as the opening guitar leads into softer vocals by Jyou fused with the slinking bass from Naoto and the light drums of Mally. Smooth, strong, and everything exist†trace represents perfectly describes this song. While some metal vocalists my struggle a bit when it come to slower songs that is no problem for Jyou and her voice shines beautifully in this dark melody.

Left to right: Miko (guitar), Mally (drums), Jyou (vocalist), Naoto (bass), Omi (lead guitar).



KISS IN THE DARK is the riskiest track on the TRUE album as it differs from anything exist†trace has written or performed so far. The up and down pace of the song has kind of a jazz feel to it at first or maybe that of a song from the 70's or 80's. Playful and upbeat is a big switch from the almost haunting tone of Tokoyami no Yoake, but give this song a chance and you'll see it as the amazing song it really is. Every band needs to change things up stylistically and the girls do this perfectly in this song by creating a melody that is different, but hard to forget.

Closing the album is Jiyuu no Sora, Chijou no Uta which is also written by Omi. While the album opened with a bang it closes on a softer note giving a greater sense of finality. This is not the end of an era, but the beginning of a new one and the steady melody conveys the feeling that exist†trace is merely taking a breath as they prepare the next round of songs to amaze and dazzle their adoring fans.

Jyou and Naoto help show fans what this band is all about.

TRUE is a mix of both old and new styles and any fan of rock or metal would be doing themselves a huge disservice if they did not pick up this album. It is currently available online from JapanFiles.com.